Abstract

Historically the Church, in its work of evangelization, has always invested, also in terms of the regulation of sacred art, its resources both in man and in the tools to be used. Therefore, it becomes fundamental to combine the announcement and the conditions of its reception, bearing in mind that the pastoral care of artists requires an aesthetic sensitivity combined with a Christian sensitivity, constituting, in its articulation with the search for good and truth, a building site privileged of the pastoral care of culture, for a proclamation of the Gospel that is truly sensitive to the “signs of the times”.